It is a small, self-contained film with a singular purpose that felt fresh and new at the time. The genius of Train to Busan is not only a story that subverts genre tropes and expectations, but it is also the plot's cleverly subtle sociopolitical commentary fueling the action and suspenseful visuals.
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In the end, everyone is simply working in the service of Jung-seok's redemption, especially the two young siblings (Lee Re and Lee Ye-won), a pair of self-taught racecar drivers straight out of a Gran Turismo or Need for Speed videogame. Within minutes, it's easy to see who is destined to make it to the end, almost as if each walks around with a large, spraypainted number on their face, so for Jung-seok's mousy brother-in-law (Kim Do-yoon), we're watching the clock until the inevitable. The latter of which we are hammered into believing is slowly losing grip with reality as he wastes his time supposedly radioing and orchestrating a rescue with the possibly imaginary Major Jane. Either a person has gone insane in a matter of four years, living in a military compound run by the cynical Captain Seo (Koo Kyo-hwan), or they are the sugary sweet member of Min-jung's (Lee Jung-hyun) family surviving on their über-goodness and cuteness.īasically, the story is largely ensembled of boringly generic, cookie-cutter characters with predictable fates to the same yawn-inducing conclusion, be it Seo's right-hand loyalist and curator of Unit 631 (Kim Kyu-baek) or Min-jung's wannabe-military father (Kwon Hae-hyo). However, instead of being shown these characters slowly emerging as opposing forces with unique motivations, which is part of Train to Busan's brilliance, we are blatantly told outright without even the slightest hint of ambiguity. Granted, the script concentrates on a small number of survivors the audience can either cheer for or hiss at with disdain, particularly Sergeant Hwang (Kim Min-jae).
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Suffering from a horrible case of "Sequelitis," the filmmakers pretty much abandon everything that made the first movie a genius piece of entertainment, not only by going bigger and louder but also by ditching a plot that centers around well-rounded, sympathetic characters.
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And so, this is where we see the story quickly derailing from the excellence of its predecessor, ultimately arriving at the end of the line like a typical, mediocre zombie flick. A guilt-ridden, former soldier Jung-seok (Gang Dong-won) is hired to retrieve a food truck containing $20 million. From the same duo that brought us the cleverly entertaining 2016 horror film, Park Joo-Suk and Yeon Sang-ho, the plot is set within the same universe as the first movie but picks up four years after the devastation, imagining the abandoned country as an apocalyptic wasteland where the few remaining survivors are starting to grow insane. Not long into Peninsula, the new sequel to the wildly popular South Korean zombie actioner Train to Busan, it becomes abundantly clear that this is not a direct follow-up of average citizens trying to survive a viral outbreak that transforms the infected into violent, raging cannibals.